Sri Bhoga Nandishwara Temple at the foothills of Nandi Hills near Chikkaballapur is among Karnataka’s oldest and best‑preserved temple complexes. With foundations traceable to the early medieval period and successive endowments by the Ganga, Chola, Hoysala, Vijayanagara, and Mysore Wodeyar patrons, it remains an active Shaivite shrine and a monument of national importance protected by the Archaeological Survey of India (ASI).
Uniquely, the triad of shrines embodies stages in Shiva’s life: Arunachaleshwara (childhood), Bhoga Nandishwara (youth), and Uma‑Maheshwara (mature householders). Enclosed by a high prakara, the complex aligns multiple mandapas, courtyards, and sub‑shrines on a clear axis, blending refined Dravidian forms with Chola detailing and later Vijayanagara exuberance.
Key components include the east‑facing Arunachaleshwara with earlier Ganga–Chola features; the west‑facing Bhoga Nandishwara with richer ornament and sculpted niches; and the central Uma‑Maheshwara noted for elegant pillars and finely carved iconography. A separate Nandi pavilion houses a large monolithic bull beneath ornate ceilings, while the celebrated Kalyana Mandapa—attributed to Vijayanagara artisans—displays yali pillars, celestial musicians, and wedding tableaux used for ritual and community ceremonies.
Artistic highlights span crisp friezes of elephants and horses, dancers and attendants, geometric and floral ceiling panels, and delicately modeled Uma‑Maheshwara images that exemplify Karnataka stonework across eras. Epigraphs in Kannada, Tamil, and Sanskrit record land and jewel grants, priestly endowments, and expansions under Chola and Vijayanagara rule, attesting to the site’s long custodianship and ritual economy.
The sacred Shringi Tirtha—an exquisite stepped tank linked by legend to the source of the Dakshina Pinakini (Ponnaiyar)—anchors ablutions and processions; surrounding colonnades and minor shrines make it a tranquil ritual focus. Ongoing ASI stewardship has stabilized older masonry, conserved carvings, and maintained the water structures, preserving a living complex where Maha Shivaratri, Kalyanotsava, and Deepotsava continue to draw devotees.
Map: Google Maps Location
Organization: Archaeological Survey of India (ASI), Bengaluru Circle
Project Tirtha is an academic initiative to create 3D models of heritage sites, using crowdsourced images. The word Tirtha is Sanskrit for "a place of pilgrimage", and is commonly used to refer to the sacred sites of Hinduism, Jainism and Buddhism. Our goal is to preserve and showcase the beauty and cultural significance of heritage sites. We believe that by allowing the general public to contribute to the creation of these models, and by providing open access to these models, we can increase awareness and appreciation of these important cultural landmarks and inspire future generations to maintain them for years to come.
This project is open-source under the GNU Affero General Public License v3.0 and is under active development. You can find the source code on our GitHub repo. All contributions are welcome. Please read CONTRIBUTING for more details. You can report bugs or suggest features, submit images via "Contribute", or suggest heritage sites via "Request site". Please read How do I contribute? before proceeding. A slideshow with video instructions for the project can be found here, while a slidedeck presented at ACM Web3D 2023 can be found here.
Please cite the following paper if you use this software in your work:
@inproceedings{10.1145/3611314.3615904, author = {Shivottam, Jyotirmaya and Mishra, Subhankar}, title = {Tirtha - An Automated Platform to Crowdsource Images and Create 3D Models of Heritage Sites}, year = {2023}, isbn = {9798400703249}, publisher = {Association for Computing Machinery}, address = {New York, NY, USA}, url = {https://doi.org/10.1145/3611314.3615904}, doi = {10.1145/3611314.3615904}, booktitle = {Proceedings of the 28th International ACM Conference on 3D Web Technology}, articleno = {11}, numpages = {15}, keywords = {photogrammetry, open source, digital heritage, crowdsourcing, 3D dataset}, location = {San Sebastian, Spain}, series = {Web3D '23} }
Before you begin, please read the following instructions:
If you encounter errors, try the following:
This project utilizes open-source libraries and automated pipelines for photogrammetry (based on AliceVision) and 3D Gaussian Splatting to create 3D models from crowdsourced images of heritage sites. On the photogrammetry side, we broadly perform the steps described at AliceVision | Photogrammetry Pipeline. The generated textured mesh is denoised, decimated, and converted to a .glb
file using obj2gltf
. This file is optimized for web use with meshoptimizer
. Finally, the 3D model is rendered in the browser using <model-viewer>
.
For 3D Gaussian Splatting, we use the splatfacto implementation present in the excellent nerfstudio, which produces a Gaussian point cloud. This is then compressed and filtered and converted to .splat
file for viewing on the web using a WebGL-based 3D Gaussian Splat Viewer. The fuzz / floaters present in the Gaussian Splat models are artifacts of the splatting process and are not part of the original model.
Please note that the models displayed here are low-poly, compressed versions due to web & mobile device constraints.
We thank the following individuals for their contributions to the project's development:
We are grateful to the developers of the following open-source libraries, which help make this project a reality:
obj2gltf
gltfpack
<model-viewer>
We also thank Odisha State Archaeology for their support.
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[Effective: September 18, 2024] Please read our privacy policy carefully before using Tirtha. Do not access or use Tirtha if you do not agree with any part of this policy.