Parvati Hill Temple Complex crowns a prominent hillock rising 640 m above sea level on Pune's southern skyline and ranks among the city's oldest heritage structures, built under Peshwa patronage in the mid‑18th century. The site offers panoramic vistas of Pune, the second-highest viewpoint after Vetal Hill, and is reached by 103 broad stone steps designed to accommodate elephants and palanquins during Peshwa ceremonial ascents.
The principal shrine, Devdeveshwar (Shiva and Parvati), was completed in blackstone by Peshwa Balaji Baji Rao (Nanasaheb) in 1749, fulfilling a vow made by his mother Kashibai after she was cured of a leg ailment through prayers to the hilltop's earlier Devi shrine. In 1760–61, five gold pinnacles were added, and the sanctum exhibits the phenomenon of "Kirnotsarga", when sunrays illuminate the Shivalinga during Uttarayana. Flanking temples honor Vishnu (Madhava, 1758, with a similar solar illumination during Dakshinayana), Kartikeya (rebuilt by Raghunath Rao and later restored), Vitthal‑Rukmini (1931), and Rama; a museum in the former Peshwa wada now houses weaponry, coins, furniture, and palanquins, while the samadhi of Balaji Baji Rao marks his final resting place.
Historically, the complex withstood looting and iconoclasm, notably during the Nizam's 1763 raid, when golden finials were cut and idols damaged, only to be restored by Madhavrao Peshwa; idols were repeatedly moved to Sinhagad fort for safekeeping during military threats, including the 1817 Battle of Khadki. The complex also became a flashpoint in social reform: on 13 October 1929, progressive activists led by N. V. Gadgil, S. M. Joshi, and Keshavrao Jedhe attempted to secure Dalit entry, facing violent resistance; full access was later achieved in the wake of Dr. Ambedkar's temple‑entry movements.
Architectural highlights include the blackstone construction, carved mandapas, and a halfway Buddhist cave believed to be contemporary with Pataleshwar. The Parvati water tank supplies parts of the city, while festivals, such as, Shravan Mondays, Mahashivaratri, Vaikuntha Chaturdashi, and Kartik Pournima, sustain the temples' role as living centers of devotion. Together, the ensemble stands as both a symbol of Peshwa piety and an enduring witness to Pune's layered religious and social history.
Map: Google Maps Location
Organization: Shree Dev Deveshwara Sansthan, Pune
Project Tirtha is an academic initiative to create 3D models of heritage sites, using crowdsourced images. The word Tirtha is Sanskrit for "a place of pilgrimage", and is commonly used to refer to the sacred sites of Hinduism, Jainism and Buddhism. Our goal is to preserve and showcase the beauty and cultural significance of heritage sites. We believe that by allowing the general public to contribute to the creation of these models, and by providing open access to these models, we can increase awareness and appreciation of these important cultural landmarks and inspire future generations to maintain them for years to come.
This project is open-source under the GNU Affero General Public License v3.0 and is under active development. You can find the source code on our GitHub repo. All contributions are welcome. Please read CONTRIBUTING for more details. You can report bugs or suggest features, submit images via "Contribute", or suggest heritage sites via "Request site". Please read How do I contribute? before proceeding. A slideshow with video instructions for the project can be found here, while a slidedeck presented at ACM Web3D 2023 can be found here.
Please cite the following paper if you use this software in your work:
@inproceedings{10.1145/3611314.3615904,
author = {Shivottam, Jyotirmaya and Mishra, Subhankar},
title = {Tirtha - An Automated Platform to Crowdsource Images and Create 3D Models of Heritage Sites},
year = {2023},
isbn = {9798400703249},
publisher = {Association for Computing Machinery},
address = {New York, NY, USA},
url = {https://doi.org/10.1145/3611314.3615904},
doi = {10.1145/3611314.3615904},
booktitle = {Proceedings of the 28th International ACM Conference on 3D Web Technology},
articleno = {11},
numpages = {15},
keywords = {photogrammetry, open source, digital heritage, crowdsourcing, 3D dataset},
location = {San Sebastian, Spain},
series = {Web3D '23}
}
Before you begin, please read the following instructions:
If you encounter errors, try the following:
This project utilizes open-source libraries and automated pipelines for photogrammetry (based on AliceVision) and 3D Gaussian Splatting to create 3D models from crowdsourced images of heritage sites. On the photogrammetry side, we broadly perform the steps described at AliceVision | Photogrammetry Pipeline. The generated textured mesh is denoised, decimated, and converted to a .glb file using obj2gltf. This file is optimized for web use with meshoptimizer. Finally, the 3D model is rendered in the browser using <model-viewer>.
For 3D Gaussian Splatting, we use the splatfacto implementation present in the excellent nerfstudio, which produces a Gaussian point cloud. This is then compressed and filtered and converted to .splat file for viewing on the web using a WebGL-based 3D Gaussian Splat Viewer. The fuzz / floaters present in the Gaussian Splat models are artifacts of the splatting process and are not part of the original model.
Please note that the models displayed here are low-poly, compressed versions due to web & mobile device constraints.
We thank the following individuals for their contributions to the project's development:
We are grateful to the developers of the following open-source libraries, which help make this project a reality:
obj2gltf
gltfpack
<model-viewer>
We also thank Odisha State Archaeology for their support.
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[Effective: September 18, 2024] Please read our privacy policy carefully before using Tirtha. Do not access or use Tirtha if you do not agree with any part of this policy.